Fox Chase Icons

Painting Tools and Techniques

 

Scattered along the image of The Fox Chase are the tools of the artists who stayed with Miss Florence. Easels, canvases, painting umbrellas, folding stools, paint boxes, palettes, and brushes are the trappings of the artist intent on working en plein air, or in the open air. Many of these tools have been around for centuries and have been used by artists in their studios whereas others, like the squeezable paint tube and collapsible easel, were relatively new, either invented or redesigned for this new outdoor purpose. 

“In the main, however, the pictures are those recently painted in Old Lyme itself and in its vicinity, and the similarity of the subjects gives an opportunity to note the interesting divergence of methods and temperaments.”

~ Unidentified Writer in The New York Times, 1906

Box of oil pastels
Several of the Old Lyme artists sketched and worked in pastels.
Photography by Jody Dole

 

Although art is an individual expression, the tools and techniques of the artists tend to be somewhat consistent. The history of art is both a history of ideas and images as well as of the materials available to the artist (from cave walls to the latest digital media). The selection of artists’ tools below is based on the most common of materials used by the Lyme Art Colony artists as well as those that are depicted in The Fox Chase.

“I started out to Christen my new [sun] umbrella. No sun today so I came home. Cleared up & I went down on the bridge & took a sketch.”

~ Artist Willard Metcalf in his diary, 1876

Artist palette

 


Artist painting en plein air in field

 


Collection of art books in the Art Colony Bedroom in the Griswold House

 

Film Clips from Silent Film "Lyme Artists" (1930s)
George Bruestle Painting in his Lyme Studio

 

Ivan Olinsky Painting his Daughter Tosca
in his Lyme Studio

 

Artist Eugene Higgins in his Lyme Studio

 

George Bruestle Painting
En Plein Air in Summer in Lyme

 

Close up of George Bruestle Painting
En Plein Air
in Summer in Lyme

 

Edward Volkert’s Studio in Lyme

 

Edward Volkert Painting in his Lyme Studio

 

Bibliography:

Web Source: Understanding the Techniques of American Tonalist and Impressionist Painters by Lance Mayer and Gay Myers in the Journal of the American Institute for Conservation (JAIC 1993, Volume 32, Number 2, Article 4 (pp. 129-139) online at: http://aic.stanford.edu/jaic/articles/jaic32-02-004.html

Source: American Impressionism: Matteness, and Varnishing by Lance Mayer and Gay Myers in the Journal of the American Institute for Conservation, Vol. 3 (fall/winter 2004), pp. 237-254.