home of american impressionism

The American Art Colony at Lyme
through January 2, 2005

Griswold House

Old Lyme Garden
George Burr, Old Lyme Garden

During the first quarter of the twentieth century, Old Lyme, Connecticut was the center of the Lyme Art Colony, one of most influential colonies in the history of American art. Artists from across the country flocked to the area to paint the region's abundant subject matter. They also enjoyed the camaraderie of other artists and the gracious hospitality of Miss Florence Griswold, whose boarding house became the center of colony life. Using paintings, photographs, film, and audio, The American Art Colony at Lyme explores the legacy of these artists. With a multi-layered interpretive approach, the exhibition introduces the story of the Lyme Art Colony to first-time visitors while providing opportunities for in-depth study for seasoned viewers. The exhibition features some of America's best-known Impressionists such as Childe Hassam and Willard Metcalf.

The heart of the Colony was the home of Florence Griswold who, for financial reasons, turned her family estate into a boarding house. Seemingly overnight, barns and outbuildings were transformed into makeshift studios. Artists set up portable easels to paint en plein air (in the open air) in the gardens or along the tidal river that bordered the property. For the artists, Lyme was an American version of the art colonies they had experienced abroad. Working largely within the stylistic traditions of Tonalism and Impressionism, these artists created paintings that celebrated Lyme's distinctive sense of place.

Southeastern Connecticut offered the artists a wealth of subject matter. From lush gardens and gentle shorelines to Colonial and Federal houses, the artists were never at a loss for themes. Each favored subject is represented in the exhibition. Lieutenant River by Everett Warner is a new acquisition that reflects the painter's love of the natural landscape. Two other recent additions to the collection include a Harry Hoffman painting of the Griswold House and a garden statue by Bessie Potter Vonnoh, known for her sculptures in New York's public parks. These works capture the beauty the American Impressionists saw in homes and gardens. The charming depiction of a village in Wilson Henry Irvine's Meeting House Hill and Edward Volkert's two farm scenes (both new to the collection) represent icons of early New England character.

Meeting House Hill
Wilson Henry Irvine, Meeting House on Hill		 William Chadwick
William Chadwick, Tropical Harbor, Bermuda

Members of the Lyme Art Colony did not limit their careers to Lyme. The American Art Colony at Lyme devotes a gallery to scenes from their artistic travels. From Edmund Greacen's The Seine at Vernon to Daniel Putnam Brinley's Daisy Field (Silvermine), visitors will note how the artists' bright paint and lively brushwork captured color and light all over the world.

The exhibition offers a closer look at the techniques and characteristics of Tonalism and Impressionism, the two artistic styles associated with the Lyme Art Colony. Using paintings from the recently acquired Hartford Steam Boiler Collection - Mason's Island by Henry Ward Ranger and Ten Pound Island by Childe Hassam - exhibition viewers will be able to study firsthand the similarities and differences between these styles.

This exhibition is sponsored by Pfizer, Inc.